In “Dracula,” Bram Stoker’s grand masterpiece, Count Dracula is roughly four hundred years old, if I recall correctly. In my own novel, “Drasmyr,” Lucian val Drasmyr is about one thousand years old, give or take. I have seen films and stories where the vampire is as old as 10,000 years old. Clearly, vampires “live” longer than humans, but what is the significance of their extended lifetimes?
At some level it may just be a yearning on our part for something timeless and immortal. Such makes what the vampire offers (virtual immortality) that much more enticing. He can take away our death and suffering, end our pain. But how does the vampire see his own immortality?
Part of that can be understood by looking at how a vampire ages. The process, of course, differs somewhat with every story. In “Dracula” our illustrious Count aged like a mortal man (or something like that) when he did not get his fill of blood. Count Dracula is a very old man when Jonathan Harker first encounters him in his castle—although he is strong and spry for such an “old man.” Later, in London after he has sated much of his appetite, his iron-gray hair has turned black, and he looks like a man in his prime. This raises a number of interesting questions, but I want to remain focused on just his aging. Clearly, Bram Stoker’s vampire does age, he just has a handy mechanism to reverse it.
Another common theme in vampire lore is that vampires grow stronger with time. So, the older the vampire, the more powerful he is, and the more difficult he is to destroy. This theme was implied in “Dracula,” but I don’t think it was ever explicitly stated. In fact, at one point Van Helsing said the Count had the brain of a child, but a very clever one, or something to that effect. Still, Dracula was the master of three other vampires in his castle. There are two possible reasons for this; either he made the other vampires, or he was simply the eldest. Both seem plausible and neither seems mutually exclusive.
Today’s vampires have taken old age to grand new heights. In “Vampire Hunter D,” an anime film from the late 80’s, early 90’s, Count Magnus Lee is 10,000 years old. As such, he is virtually indestructible. He rules his clan of vampires with an iron fist. At his age, he’s actually gained telekinetic powers, among other things. But at a certain point does not adding a few more thousand years onto the age of your vampire seem tiresome? I mean, really, we get the point. The thing won’t die.
Still, I find the aging vampire and the powers such bestows upon it an interesting facet of the vampire’s multi-faceted persona. It provides a rich and malleable measure to differentiate vampires from one another and keep them unique at the same time.
Vampires have been a staple of modern mythology for the last two centuries or so, from Bram Stoker’s aristocratic and sinister Count Dracula, to the sparkling Edward Cullen of Stephenie Meyer’s “Twilight” series. The last twenty years or so has seen an uptick in vampire interest; indeed, it is nearly a frenzy. But what is it that makes vampires so intriguing, so alluring?
In the beginning, vampires were portrayed as sinister forces of darkness that seduced women and turned them into agents of the devil. Now, they are just semi-dangerous love interests. Throughout they have been associated with sexuality, at least to a certain degree. The drinking of blood summons images of bestial, carnal urges, while the penetration of human flesh by vampire teeth summons images of… well, you get the idea.
In Dracula’s time, sexuality was still viewed as a vice, something of the devil that should be avoided. So, making Dracula seductive and human-like in appearance, resonated well with his nature as the prince of darkness. He existed to tempt women, to draw them away from the path of virtue, and corrupt their very souls. His sexuality at that time was synonymous with his corruptive influence; it was his avenue to damnation. We’ve moved beyond that now. Courtesy of Stephenie Meyer’s “Twilight” series, vampires have become perfectly respectable dance partners, dates, even husbands. I don’t know what that says about us… but it probably isn’t good.
There is a third aspect to the vampire that we also find alluring. That of the soul-searching creature of the night. We’ve turned from the vampire as tormentor, to the vampire as tormented. It began with Anne Rice (I think) and the vampire Louis from “Interview with a Vampire.” Now, the vampire broods and ruminates, suffering ungodly horror for his fate. He endures incomprehensible moral anguish for every human he kills. This window into a dark soul entices us, it hopes to offer a better understanding of our own human condition—we with all our faults and failures, and our own anguish for the things we’ve done that eat away at our soul. Perhaps we can find relief and meaning from the experiences of a creature condemned like Louis.
In the end, the vampire is a complicated amalgam of forces. It is seductive and intriguing in many ways; it is a monster with a human soul, a sexual lure into darkness, or perhaps… a potential boyfriend with a spotty past. Whatever the case may be, its pull on us mere humans is undeniable.